Wages of Cinema: Film in the Philippine Perspective Animals which aims to map the

which aims to map the history of Philippine art from the 20th century onwards

Binislakan (Lingayen)

he shares anecdotes from the sets of his beloved films—Father of the Bride

Meeting and marrying a man of the same motivation

Published in conjunction with the exhibition held at the Ayala Museum

Wages of Cinema: Film in the Philippine Perspective Animals which aims to map theRecent trends in film discourse are taken up and examined from a national position in Wages of Cinema: Film in Philippine Perspective. Issues such as deconstruction, historiography, cultural policy, postcolonialism, and psychoanalysis, plus reconsiderations of earlier questions on structure, genre, gender, race, autobiography, and authorship are discussed in the light of how these may best contribute to the interests of Philippine film criticism,