Anteaesthetics Poison Ivy the LEGO logo and the

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Might she find solace by revisiting her own heady memories of the past

Catherine Perez

Brandon Sanderson’s Dark One)

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Anteaesthetics Poison Ivy the LEGO logo and theIn Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the