But one project that weighed on him for decades was a visual history of the cinema, which he started shooting, on video, shortly after he finished King Lear. This eight-part series, which the director finally completed in 1998, is called Histoire(s) du Cinma. It is not a comprehensive narrative history but a willfully subjective meditation on themes from the cinema that connect speculations about history and culture with an intimate yet cosmic vision of film
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Maybe Ronni had been warning me instead of admiring my technique
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