Piano Concerto No. 22 in E-flat minor, K.482 - Mozart Liszt As a guest artist and

As a guest artist and festival participant

Four “dreamy” – according to Clara Schumann – intermezzi are juxtaposed with three “deeply passionate” capricci

After a section of the lost autograph was rediscovered a few years ago

learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg

using chords to be played con somma passione

Piano Concerto No. 22 in E-flat minor, K.482 - Mozart Liszt As a guest artist andIn the autumn of 1923, a young man produced the first music editions of his newly founded publishing house in his parents living room. He named his company Brenreiter. In the spring of 1924 when Karl Vtterle came of age, he was able to register it with the German Publishers and Booksellers Association. At first, he mainly put out folk song collections, church as well as organ music including early music by Leonhard Lechner and Heinrich Schtz, at the