The play between burgundys hazy warmth and blacks eerie depth creates a mesmerizing contrast - a visual Gothic symphony that celebrates both decadence and restraint
The film doesn't fully live up to them, but it deserves credit for trying something different in an oversaturated, frequently exploitative genre." [22] Tim Robey of The Daily Telegraph gave the film 2/5 stars, saying, "[Jaume Collet-Serra] can lay on industry-standard jump scares, get the sound designers to goose us, and weave in some cool shadow-play that certainly manages to get noticed in the absence of any real plot
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