Marie Antoinette (2006) Sofia Coppola's third full-length film, featured hyper-stylised, intricate, pastel-coloured period costumes, which complemented the luscious, light pink and teal colour themes and cinematography
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Simple, daring column dresses inspired by the draping of Greco-Roman statuary and embraced in the pendulum swing away from pre-revolution rococo excess were the defining look of the first few decades of the 19th century
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