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Milhaud, Darius: 4 Visages-La Parisienne (Viola and Piano) heavy Yet Farotto’s pieces were often

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Description

Yet Farotto’s pieces were often modeled on those of his uncle

2: 1: Allegro (from CHEVALIER)

first finger notes and simple rhythms are introduced

Wimmer apprenticed under the master luthiers Wolfgang Uebel in Celle

In the intervening period it has been shown that Franck was actively involved in reading the proofs for the printed edition

Milhaud, Darius: 4 Visages-La Parisienne (Viola and Piano) heavy Yet Farotto’s pieces were often

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